Goodreads Poll Finds that Readers Stick to Their Own Gender

darcy

Goodreads recently polled 40,000 British citizens on their reading habits and among the many trends that popped up, the one making the rounds today is all about sex. Namely, the surprising gender divide between male and female readers and the writers they prefer.

The survey found that men and women stick closely to their own camps with 90% of the 50 most-read books by men coming from male authors, and an identical 90% of the 50 most-read books by women coming from female authors. Female readers were also slightly more critical in their ratings of books penned by the opposite sex — giving them an average 3.8/5, compared to the 4/5 for works by female writers.

What this brief glimpse at the study doesn’t determine is whether female authors who use male pseudonyms, or initials in place of gender-revealing first names, might be more likely to gain an unwitting male audience. It’s also a little surprising that the enormous success of John Green in the past year doesn’t account for more books by men on women’s lists. Is the scant 10% of books those written by authors who are actively trying to appeal to the opposite sex, with men reading Hunger Games and women reading The Fault in Our Stars?

In one sense, it seems logical that people prefer to read books or stories that are aimed at their own experiences and come from a perspective that they can relate to. On the other hand, it is disappointing that more people aren’t trying to branch out and identify with more foreign points of view.

But what’s really disheartening is that we still tend to view books written by women as less substantial and less “important,” which — given Goodreads’ findings — may just say more about who’s in charge at the top newspapers and publishing houses than anything else.

Does the Goodreads poll reflect your own reading habits? Are you trying to branch out and try new things, or do you prefer to stick to particular genres and authors?

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Zoella’s Book Deal Is Not the End of the World

zoesug

Many a snarky editorial has been written over the past few months following news that Penguin was publishing a novel by Youtube beauty guru Zoella (Zoe Sugg), Girl Online. The snark increased significantly when the book made it to #3 on the Amazon bestseller list based on pre-order sales alone.

“What about our student loans?” cried thousands of frustrated English majors.

While Penguin Children’s editorial director Amy McCulloch praises Sugg for her “incredible voice for teens” that she developed on her YouTube channel where she tackled “real issues like anxiety and cyber-bullying” which McCulloch believes enabled Sugg to “deliver a poignant, romantic and heart-warming debut novel,” some have cast doubt as to whether this isn’t yet another ghostwritten work with a famous name slapped on top to promote sales.

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Update on The Man-Booker Challenge 2014 and Some Delightful Links

To Rise Again

The shameful truth is that I’ve been a bit lazy so far with the Man-Booker challenge. I’m about 75% of the way through Joshua Ferris’s To Rise Again at a Decent Hour (which isn’t great after a week and a half). Without spoiling the review I plan to give later, I can at least say that it’s not the book’s fault that it’s taking me this long. It reads at a pretty fast clip, but I just got Dragon Age: Inquisition which is a beautiful time suck.

In any event, I should have the review up by the end of the week and then we can start on the next book on the short list.

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No, The Fall is Not Just Classy Misogyny

The Fall

Last Sunday, Observer columnist Rachel Cooke took The Fall to task over her belief that the show was little more than the fetishization of violence against women. She noted the camera tends to linger for too long on Gillian Anderson’s body in scenes where the show’s central figure (a hard-nosed female detective in a very male-dominated sphere) is just, say, having a shower or catching a work nap. And that the lead villain, played by Jamie Dornan, is a little too handsome, charming and good with children — leaving the show’s audience confused. How can they hate him, even when he’s brutally strangling women? Her argument is that critics overlook the show’s sexist overtones because it has great writing, acting and cinematography — but that ultimately the show is a celebration of the exploitation, rape and murder of women.

Allow me to disagree.

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Fear Not: The British Luther is Also Coming Back

luther

Well, color me confused.

Hot on the heels of the announcement that Fox is producing an American version of the gloomy, violent British crime drama Luther for Fox, BBC One has just come out with the news that the original version of the show is returning in 2015 as well.

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Review: Caitlin Moran’s How to Build a Girl

Caitlin Moran

 

I’m sure that it would be nobler or higher-brow to do a review of How to Build a Girl while ignoring its sometimes controversial, quasi-celebrity author. A good book (some might argue) should exist in a vacuum and be evaluated on that level. The trouble with that noble goal is that if you’re at all familiar with Caitlin Moran and her massive bestseller, How to Be a Woman, you’ll know that Girl is often little more than a fictionalized account of many of the previous book’s anecdotes from Moran’s teen years. Moran gives herself a new name (Johanna Morrigan), and a gay older brother who acts as her sounding board and oracle for most of the book, but for the most part you’ll be treading through familiar territory.

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You Should Be Watching: Peaky Blinders

TEVEVISION - BBC DRAMA PEAKY BLINDERS

At this point in the television game, it seems like a safe bet to argue that binge-watching really is the best method for enjoying non-procedural shows. For a couple of reasons.

The “what will happen next” tension from episode to episode often leads to false predictions and an overabundance of expectation that most shows just aren’t prepared to deliver on. But more than that, a good show is often as absorbing as a good book. And just as it would be hard to read 5 or 6 books at a time and invest emotionally in each one while remembering the intricate relationships and plot points, TV — particularly when it comes to shows with dense seasons and only a handful of episodes — is becoming an equally hard thing to juggle.

That’s why I highly recommend devoting your next weekend to both seasons of the BBC’s 1920’s crime drama, Peaky Blinders.

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Book Challenge: 2014

nora

All excited to re-start the New York Times project, I logged online yesterday to see what the front runner was for this week. There, at the top, was a book called Blood Magick by Nora Roberts, and I steeled myself. Then I found out that it’s the third book in Roberts’ Cousins O’Dwyer trilogy and I just decided I liked myself too much to go through that. Would it mean having to read the first two? Could I even dive right into the third — especially of a trilogy? And a Nora Roberts trilogy at that?

No, friends. Not today.

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Doctor Who’s Season 8: A Lesson in Being Careful What You Wish For

farewell

This time last year, I complained that death in the world of Moffat’s Doctor Who didn’t seem to stick and that there were no consequences. So what do we get for pretty much all of Season 8? Death and consequences.

No female Doctor? Have a female Master.

Afraid that the female companion is just going to settle down with her (arguably controlling) boyfriend? Nope — he’s dead and she’s alone.

So it puts me in a tricky position, because I can’t complain that this season was “Moffat as usual.” In fact, I feel like Steven Moffat often fucks with fans by giving them what they ask for; He’s like a squat Scottish genie that way. Because the finale was a bloodbath by Moffat standards — poor asthmatic Osgood bit it early on, along with the two hapless security guards who were supposed to be watching Missy; Danny (who seemed prime for a resurrection) remains dead; as do all of the recently-deceased Cyberhive inhabitants. And even though Danny’s final curtain call came off as a cheap deus ex machina ploy, the end result is that he’s still gone for good.

So why do I still feel unsatisfied? The truth is that even with the surface “corrections,” there’s a basic problem that will likely always be true about Moffat’s writing: it never quite comes together, and it never quite makes sense.

I’ve broken up the finale’s biggest offenders below:

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Lemony Snicket’s Unfortunate Series to Be Adapted for TV

snicket

It’s a rare day when news of a remake elicits a general response of, “Oh, that’s a great idea.” But given that the first attempt to turn Lemony Snicket’s series about a trio of savvy orphans and their scheming evil uncle into a big-screen adaptation fell somewhat flat, the recent announcement that Netflix is going to be trying their hand at a TV version seems like an occasion for cautious optimism.

First because TV now seems like a natural format for a lengthy book series (Outlander being a recent example), but also because when working with child actors, the gaps between films can often yield growth spurts and voice changes that might stand in the way of a seamless book-to-screen transition. Though it seems unthinkable now, there was a time when Warner Brothers was floating the idea that the Harry Potter kids might need to get a cast refresh to avoid a bunch of 20-somethings playing less-than-believable teens. For better or worse, that didn’t wind up happening, but it’s easy to see why it may have seemed necessary at the time.

In any event, I’ll keep to cautious optimism with this announcement and the hope that it brings a new generation of kids back to Snicket’s fun and fantastical kids’ series.

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